Study I. The Passage of Time
The Passage of Time
The Passage of Time explores how objects, images, and materials carry traces of duration, memory, and transformation.
Through carefully composed environments, the study reflects on time not as something linear, but as something embedded within surfaces, textures, and space itself.
Each work exists in dialogue with what has been preserved, altered, or quietly eroded, inviting a slower and more attentive way of seeing.
Material & memory
Materials hold histories beyond their visible form. Wood darkens, metal oxidises, paper softens, and surfaces absorb the marks of use and presence over time.
Within the study, furniture, artworks, and books are approached not simply as isolated objects, but as carriers of memory and lived experience. Together they form compositions where age, patina, and imperfection become part of the visual language itself.
Temporal Landscapes
The study considers time as layered and unresolved rather than fixed or complete.
Through the juxtaposition of image, object, and space, moments are suspended between past and present, permanence and disappearance.
Inspired by archival processes and shifting landscapes, the compositions reflect an interest in how perception changes through duration, repetition, and attention rather than immediacy.
Suspended Presence
The Passage of Time ultimately proposes a quieter relationship to viewing.
In contrast to the speed of contemporary image culture, the study invites contemplation, slowness, and sustained attention.
Meaning emerges gradually through atmosphere, materiality, and spatial tension. Rather than offering resolution, the works remain open-ended — existing in a state of continuous transition, presence, and becoming.